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Mainz Cathedral or St. Martin's Cathedral ( or, officially, Der Hohe Dom zu Mainz) is located near the historical center and pedestrianized market square of the city of Mainz, Germany. This 1000-year-old Roman Catholic cathedral is the site of the episcopal see of the Bishop of Mainz.
Mainz Cathedral is predominantly Romanesque in style, but later exterior additions over many centuries have resulted in the appearance of various architectural influences seen today. It comprises three and stands under the patronage of Saint Martin of Tours. The eastern quire is dedicated to Saint Stephen.
The interior of the cathedral houses tombs and funerary monuments of former powerful Prince Elector-Prince-Bishop, or Kurfürst-Erzbischöfe, of the diocese and contains religious works of art spanning a millennium. The cathedral also has a central courtyard and statues of Saint Boniface and The Madonna on its grounds.
the time of Mainz Archbishop Willigis (975–1011), the city of Mainz flourished economically, and Willigis became one of the most influential politicians of that time, ascending to regent of the empire between 991 and 994. In 975–976 shortly after his installation he ordered the construction of a new cathedral in the pre-Romanesque Ottonian architecture style. This new building was part of his vision of Mainz as the "second Rome".
This new cathedral was to take over the functions of two churches: the old cathedral and St. Alban's, which was the largest church in the area, belonging to a Benedictine abbey and serving as the burial ground for the bishops and other nobles, including Fastrada, a spouse of Charlemagne. Most of the and other important meetings were held at St. Alban's Abbey.
The new cathedral consisted of a double chancel with two . The main hall was built in the typical triple-nave "cross" pattern. As was usual at that time no vault was included because of structural difficulties relating to the size of the building. Six towers rose from the church. A cloister was enclosed in the structure and a small freestanding church, St. Mary's Church, connected by a colonnade. This small church developed later into the collegiate church of St. Maria ad Gradus.
Sandstone was used as the primary building material for the cathedral. The inside was plastered white under the Archbishop Bardo, probably in the middle of the 11th century. During renovations ordered by Henry IV in the late 11th century, much of the outside was also plastered, but the were left exposed in their original red and yellow. It is believed that the coloring of the cathedral was changed on a number of occasions, but no further documentation of the coloring is available until records of the Baroque works.
The cathedral suffered extensive damage from a fire on the day of its inauguration in 1009. Archbishop Bardo (Bardo of Oppershofen) presided over the completion of the cathedral begun under Willigis. By 1037 the main portions of the body of Mainz Cathedral were complete. Willigis was buried in the second church he had initiated, St. Stephan's, in 1011.
The chancel was badly damaged in the fire of 1009, and remained that way under Archbishops Erkanbald and Aribo. The chancel was finally reconstructed under Bardo. He then buried his predecessor Aribo there, before the rest of the cathedral was even finished. (Willigis's remains are not, as sometimes believed, in Mainz Cathedral; he was buried in his second construction project, St. Stephen's.)
Henry also undertook a few other minor changes, such as raising the transept on the east side and adding openings at the column level. These column-level portals were among the first ever such constructed.
Henry died in 1106, before his intended changes were complete. With his death, the funding for the renovation of the cathedral dried up and so the remaining construction was abandoned. Mainz Cathedral is considered one of the three Kaiserdome ("Emperor's Cathedrals") of the Holy Roman (German) Empire, along with Worms Cathedral and Speyer Cathedral.
Conception for the renovations was again taken from the Romanesque Speyer Cathedral. This time, however, without money from the emperor, the builders lacked the resources to acquire the high-quality sandstone used in Henry's additions. They instead used limestone. The other aspects of the renovations were also much cheaper, and the extravagant style of Speyer Cathedral was largely avoided.
The central nave was built to , short of Speyer Cathedral's . It seems that the were intended to encompass the windows, as in Speyer Cathedral, but the height of the roof did not allow this. The resulting three-level effect, due to the arches ending before the windows, was a technique not before seen in architecture.
The main hall was further renovated throughout the entire 12th century. The entire outer wall structure was eventually replaced. Around the year 1200, the ceiling was replaced with a ribbed vault, a rather new technique for the time.
Three small and two very large column were added to support the small flank towers. were added to the three open sides of the chancel. In general, the western section of the cathedral was extensively decorated to keep up with the newly renovated eastern section.
Starting in 1279, Gothic chapels featuring large decorative windows were built onto the cathedral. In 1418 the Nassauer Chapel, a freestanding burial chapel in the middle nave was built at the request of Archbishop John II of Nassau. The construction of this chapel is attributed to Madern Gerthener, who was also responsible for the Memorial Chapel built into the entrance hall to the western wing of the intersect area.
The towers were also renovated during this period. Bell tower were added to the two towers at the crossings, on the eastern tower in 1361 and on the western in 1418. These towers were topped with Gothic-style pyramid roofs. (These towers turned out to be so heavy that the eastern tower had to be supported by a pillar erected in 1430.)
The cloister was heavily renovated and the Liebfrauenkirche was completely replaced at this time, marking the last of the Gothic renovations to the building. The roof on the eastern tower, however, was replaced in 1579 by a flatter one due to weight concerns. After that, no major alterations were made to the cathedral for almost two centuries.
The inside of the cathedral was heavily whitewashed. A statue of St. Martin and the Beggar was erected on the roof of the western chancel in 1769.
Bishop Joseph Ludwig Colmar (1802–1818), with support from Napoleon, set into motion restoration efforts. These efforts were interrupted by quartering needs for the French Army in 1813, and the cathedral was used as a church in 1814 for the first time in eleven years. By 1831, the reparations had been for the most part completed. The major change to the building was an iron cupola on the main eastern tower built by architect Georg Moller. But this cupola was removed in 1870 because it was too heavy.
After that, Pierre Cuypers undertook a lengthy restoration work. The support pillar in the eastern cross-tower was removed, as the heavy belfry no longer stood. The crypt in the eastern chancel was rebuilt, but not to the original specifications of the one built by Henry IV. At the conclusion of these reconstructions, a neo-Romanesque tower was erected in place of the eastern cross-tower in 1875.
At this time the cathedral was once again repainted. Large and colorful Nazarene movement , including some by Philipp Veit, were painted to decorate the inside of the cathedral.
A new floor, made of red marble, was constructed in this period. Architect Paul Meyer-Speer engineered a system to modify the inner walls with colorful sandstone, removing most of the paintings by Veit and restoring a look similar to the original Willigis-Bardo construction. Unfortunately this system did not withstand continuing restoration efforts, and by 1959 most of the color was gone.
In World War II, Mainz was a target of Allied bombing multiple times. The cathedral was hit several times in August 1942. Most of the roofs burned, and the top level of the cloister was destroyed. The vault, however, withstood the attacks and remained intact. The damaged elements were restored as authentically as possible, a process which continued well into the 1970s. In addition, much of the glass in the cathedral was replaced.
The outside of the cathedral was colored red to match the historical buildings of Mainz. In addition, extensive cleaning and restoration efforts were undertaken, ending in 1975. In that year, the thousandth year since the beginning of the cathedral's construction was celebrated.
In 2001, new efforts were begun to restore the cathedral both inside and outside. They were expected to take from ten to fifteen years.
In 2004, two large windows by the renowned glass artist Johannes Schreiter, were installed.
During the Middle Ages, the right to crown German kings (and queens) was given to the Archbishop of Mainz. The crowning in Mainz awarded the monarch the kingdom of Germany, and a subsequent in Rome granted him the Holy Roman Empire (a nominal difference only). Because the cathedral was damaged several times, many crownings were not held there.
The following monarchs were crowned in Mainz Cathedral:
The German article references the following sources:
Additional (web) sources for the article include:
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